Modulation Part 1
- Tonicizing vs. Modulation
- The Secondary Dominant
- Using Solfege for Secondary Dominants
- Modulate to the V Key Using V of V
Modulation Part 2
- Tonicizing Key Areas Other than V
- Tendency Tones in Secondary Dominants
- Further Modulation Techniques
- Roman Numerals for Modulation
The Diminished 7th Chord
- Interval Symmetry in the Diminished 7th
- Enharmonic Respelling
- The Diminished 7th as vii7 in Four Keys
- Turning the Diminished 7th into V7
- Modulation with the Diminished 7th
The Neapolitan
- History of Neapolitan Harmony
- The Neapolitan 6 as a Pre-Dominant
- From Neapolitan 6 to V and V7
- Neapolitan 6 to Cadential 6/4
- Root-Position Neapolitan
- Modulation with the Neapolitan
- Neapolitan in Major Keys
Augmented 6th Chords Part 1
- Embellishing the Phrygian Cadence
- The Italian Sixth Chord
- Solfege and Scale Degrees for It+6
- What to Double in Four Voices
- Resolving to V and Cadential 6/4
- The Italian Sixth in Major Keys