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May 17, 2021 By Aron Bernstein 12 Comments

Weekly Music Theory Challenge 5/17/21

Show off your music theory chops with my weekly challenge! You’ll find a new question here every Monday. Please comment to post your reply.

This week’s challenge:

Here is the end of Chopin’s Prelude in G minor, Opus 28 No. 22:

Listen to Audio

What is the name of the chord circled in red? Hint: look at how the chord is spelled!

Check back on Friday, May 21st for the answer!

ANSWER for 5/17/21

German Augmented 6th Chord (also, German 6th, Ger+6)

The German sixth is a type of augmented sixth chord, most often used as a chromatic approach to the dominant (V). In the Chopin prelude, it’s followed by the cadential 6/4 chord (I 6/4), then V, and finally i.

The German 6th sounds exactly like a dominant 7th chord, but it’s spelled with an augmented 6th, instead of a minor 7th.

The augmented 6th resolves outward to an octave. While Italian or French 6th chords can resolve directly to V, the German 6th typically has to go to cadential 6/4 first, avoiding parallel 5ths.
In the above prelude, Chopin writes this German 6th a bit unconventionally, placing the 6th in the bass. But the chord still resolves as it should, to cadential 6/4.

Want to Learn More?

I have an entire series of video lessons on chords in the Chord Module!  Sign up for a monthly subscription for full access to all video lessons, worksheets, and answer keys. Also, this year I’ll be adding new lessons in the Chromatic Harmony Module. I created Breaking Barlines with one thing in mind: making music theory effective and FUN!

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Filed Under: music theory challenge Tagged With: Chopin, chords, classicalmusic, harmony, music, musiclessons, musictheory

Reader Interactions

Comments

  1. Al Skaronea says

    May 18, 2021 at 5:49 am

    Eb/C#

    Reply
    • Aron Bernstein says

      May 18, 2021 at 11:41 am

      Hey Al, good answer. In jazz and pop music, you might very well call this Eb major over C#. But in classical music, this chord has a very specific name and harmonic context. One hint: it’s named after a country!

      Reply
  2. Robert Bowen says

    May 18, 2021 at 9:19 am

    Dominant 7th

    Reply
    • Aron Bernstein says

      May 18, 2021 at 11:48 am

      Hi Robert, you’re on the right track! In fact, if you only heard this chord without seeing how it’s spelled (or hearing how it resolves), it would be indistinguishable from a dominant 7th chord. But the spelling of that low bass note is what gives it away. One more hint: this chord is named after a country!

      Reply
  3. MeepokMan says

    May 19, 2021 at 7:53 am

    Ger6 of G minor

    Reply
    • Aron Bernstein says

      May 21, 2021 at 9:33 am

      WE HAVE A WINNER! Super Job!

      Reply
  4. Linda Saunders says

    May 19, 2021 at 5:57 pm

    B minor 7

    Reply
  5. Linda Saunders says

    May 19, 2021 at 5:58 pm

    B minor augmented

    Reply
  6. Craig Redlin says

    May 20, 2021 at 5:29 am

    German 6

    Reply
    • Aron Bernstein says

      May 21, 2021 at 9:31 am

      AWESOME! 10,000 Theory Points To You!

      Reply
  7. Eileen says

    May 20, 2021 at 10:09 pm

    French sixth

    Reply
    • Aron Bernstein says

      May 20, 2021 at 10:16 pm

      Hi Eileen,
      Ooo, you’re so close! Right type of chord, just a different country!

      Reply

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